{"title":"茶碗","description":null,"products":[{"product_id":"akemi-ito-ai12","title":"伊藤明美　茶籠セット","description":"\u003cp\u003e茶碗２碗（三島狂言袴と粉引塩笥）、茶器、振出、茶巾筒が焼きもの、\u003cbr\u003e\u003cbr\u003e茶筅筒は和紙柿渋塗り、仕覆の類も伊藤さんがおつくりになりました。\u003cbr\u003e\u003cbr\u003e茶杓は白蝶貝で伊藤さんがかたちを整えたもの。\u003cbr\u003e\u003cbr\u003eどれも丁寧かつ愛情のある仕事で仕上がっており、茶籠という小宇宙にたいする伊藤さんのこだわりが詰まっています。\u003cbr\u003e\u003cbr\u003e粉引の塩笥碗は、使ううちに味が出てくるでしょう。\u003cbr\u003e\u003cbr\u003e抹茶と金平糖と、お湯を入れた水筒、そしてこの茶籠セットを持って、素敵な自分だけの場所をみつけて野点を楽しんでください。\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":40859251769392,"sku":"AI12","price":275000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN04470.jpg?v=1705570193"},{"product_id":"naoto-yano-yn22","title":"E-Karatsu Chawan","description":"\u003cp\u003eSlightly on the smaller side, this bowl would suit ko-buku or travel tea, yet it still accommodates a standard-sized chasen. The iron painting is reduced to a single round motif on the front. A kiln scar above it has already been repaired with kintsugi.\u003c\/p\u003e\n\u003cp\u003eFrom a foot that is gently open and lightly faceted, the form rises and slowly spreads outward. A stepped transition from throwing marks appears around the midsection, and the rim finishes with a subtle outward flare. The overall profile is built as a compound of several slight inclinations rather than one continuous curve.\u003c\/p\u003e\n\u003cp\u003eThe tatatsuki is firmly proportioned, and fine chirimen-like texture can be seen inside the foot. The ash glaze sets a base tone of neutral gray, at times reading faintly green; in places it shifts to a soft bluish cast. Areas of exposed clay extend from the foot and along its side, and the body is finely grained and well fired. The interior glaze appears slightly thicker, and a few small hima (unshaded areas where the clay is exposed) are visible.\u003c\/p\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":41076369293360,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN03267.jpg?v=1768114067"},{"product_id":"akemi-ito-koia07","title":"Kyogen Hakama-tsutsu Chawan","description":"\u003cp\u003eA tsutsu (cylindrical) chawan with a Kyōgen hakama motif.. The inlaid lines are carefully finished; their softened edges and gentle roundness give the pattern a quiet, yielding presence. A closely comparable form is found among older works (known as Fujibakama), standing upright in a way that seems to “call for tea” in the colder months.\u003c\/p\u003e\n\u003cp\u003eRoundels are placed on three sides, with a lotus-petal band around the waist and a thunder pattern inlaid near the upper section. A subdued celadon glaze lies over a reddish clay body and continues into the inside of the foot. The glaze has melted evenly across the surface, and fine crackle runs throughout. The low foot is shaped with a takefushi (bamboo-node) profile.\u003c\/p\u003e\n\u003cp\u003eØ 83 mm　H 110 mm\u003c\/p\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":41148516433968,"sku":null,"price":59000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN03426_d828eaf3-b68e-411b-8253-9128de492c61.jpg?v=1778477620"},{"product_id":"shintaro-uchimura-kous11","title":"Tamago-te Chawan","description":"\u003cp\u003eTamago-te is a name given to a certain type of Kōrai chawan—an established term used in general for bowls whose glaze skin and overall presence recall the smoothness of an egg.\u003c\/p\u003e\n\u003cp\u003eFrom the foot, the curve rises smoothly, carrying a few faint steps from throwing marks before turning to a slight outward flare at the rim. The kodai is formed in a takefushi (bamboo-node) manner. The tatatsuki is asymmetrical, with thicker and thinner passages, and the inside of the foot shows a rough, chirimen-like tokin texture.\u003c\/p\u003e\n\u003cp\u003eThe clay body is fine-grained and smooth, with a slightly viscous feel. Small hima appear in parts of the foot and the trimmed area beside it, where the clay is left exposed. The glaze is gently toned, with runs, areas dusted with ash, and a few spots where the glaze has lifted away—likely during firing. Fine crackle runs throughout. The rim is slightly oval, and in the well you can see clear, spiral throwing lines. Although the bowl is relatively thinly made, the rim is not overly thin and keeps a measured thickness; despite its size, it feels comparatively light in the hand.\u003c\/p\u003e\n\u003cp\u003eW 138 mm　D 130 mm　H 90 mm\u003c\/p\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":41148517154864,"sku":"UST11","price":253000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN05364.jpg?v=1786414764"},{"product_id":"tori-yoshino-ytex10","title":"Tori Yoshino: Hagi Ido Chawan","description":"\u003cp data-path-to-node=\"3\"\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003eAn Idote (Ido-style) Chawan (Tea Bowl) with a grand and dignified presence, crafted by Tori Yoshino of Hagi.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eRising linearly from a high foot with minimal outward swelling, the walls form a sharp, clean silhouette that culminates in a natural and honest rim.\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThe foot features a \u003ci data-path-to-node=\"5\" data-index-in-node=\"20\"\u003etake-no-fushi\u003c\/i\u003e (bamboo-joint) shape with a prominent \u003ci data-path-to-node=\"5\" data-index-in-node=\"72\"\u003etokin\u003c\/i\u003e (conical spur) at its center. Inside and around the foot ring, the coarse, rustic texture of the exposed clay blends seamlessly with the dramatic \u003ci data-path-to-node=\"5\" data-index-in-node=\"224\"\u003ekaoragi\u003c\/i\u003e (crazed, beaded glaze crawling). The interplay of glaze and \u003ci data-path-to-node=\"5\" data-index-in-node=\"292\"\u003ekannyu\u003c\/i\u003e (crackle patterns) creates a rhythmic visual character (\u003ci data-path-to-node=\"5\" data-index-in-node=\"355\"\u003ekeshiki\u003c\/i\u003e), leading inward to a deep well (\u003ci data-path-to-node=\"5\" data-index-in-node=\"396\"\u003emikomi\u003c\/i\u003e) with a defined bottom center (\u003ci data-path-to-node=\"5\" data-index-in-node=\"434\"\u003ekagami\u003c\/i\u003e).\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe clay body retains slight natural impurities, displaying \u003ci data-path-to-node=\"6\" data-index-in-node=\"60\"\u003eishi-haze\u003c\/i\u003e (stone bursts) on both the interior and exterior surfaces. The firing has achieved a soft, warm finish, while the thinner glaze layers—particularly around the rim—reveal vibrant, warm-toned flashes.\u003c\/p\u003e\n\u003cul data-path-to-node=\"7\"\u003e\n\u003cli\u003e\n\u003cp data-path-to-node=\"7,0,0\"\u003e\u003cb data-path-to-node=\"7,0,0\" data-index-in-node=\"0\"\u003eDimensions:\u003c\/b\u003e\u0026nbsp;Φ\u0026nbsp;155 mm × H 90 mm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":41688723488816,"sku":null,"price":165000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN03186.jpg?v=1770446973"},{"product_id":"yoshihisa-ishii-imex-i7","title":"石井義久　唐津茶碗","description":"\u003cp\u003e唐津の陶芸家・石井義久による、堅牢な焼き上がりの熊川形の茶碗。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e腰高に曲線を描き、口縁はほとんど引っ張らず静かに留めて、ほんの僅か端反りする。高台はわずかに開いた形をしており、高台脇とともに際が削られて、くびれるように抉られている。畳付は三日月的な幅の違いがある。高台内には縮緬皺がみられ、兜巾を持つ。とくに影が被さる時、静かで月面のような雰囲気を感じられる。\u003cbr\u003e土はよく焼きしまって堅く、釉薬は内外ともによく溶けている。全体に細かな貫入があり、点々と灰のかかったような黒点がある。釉の雪崩がほのかな景色をつくり、情趣を添える。\u003cbr\u003e土はきめ細かく雑味を含む。\u003c\/p\u003e\n\u003cp\u003eW 138 mm\u003cbr\u003eD 140 mm\u003cbr\u003eH 85 mm\u003cbr\u003e付属品｜共箱\u003c\/p\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":42637182500912,"sku":"YIA7","price":77000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN03474.jpg?v=1771741461"},{"product_id":"naoto-yano-ynr3","title":"矢野直人　唐津茶碗","description":"\u003cp\u003e唐津の矢野直人の熊川形の茶碗。\u003c\/p\u003e\n\u003cp\u003e高台から口縁部へ、ひとつながりの指数関数的な曲線を描き、口縁部は僅かに端反りをもつ。全体の器形としては完全な真円に近く、ごくわずかに楕円気味である。よく焼き締まった薄作で、口縁から底部に向かって、徐々に厚みを加えていく轆轤引きとなっている。\u003cbr\u003e薄めに掛けられた釉薬はよく溶け、口縁部に部分的に白濁した釉の景色を作っている。見込み全面も釉薬が掛けられ、目跡による土見せが三箇所ある。\u003cbr\u003e腰から下には釉薬が掛けられておらず、大胆な土見せが、遥かな稜線のように広がっている。この大きく広がる露胎部分では、やや明るい茶色の粒度の揃った、細やかな土味を見ることが出来る。\u003cbr\u003e高台は内側に縮緬が見られ、端正に削り出されていて、とても静かである。\u003c\/p\u003e\n\u003cp\u003eサイズ：H 7.5 cm  W 13.4 cm  D 13.5 cm\u003c\/p\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":42699264622640,"sku":"YNR3","price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN03380_d18e278d-fb0b-4098-9d2f-435958e835c1.jpg?v=1770466221"},{"product_id":"rui-mito-mrk10-2","title":"三藤るい　堅手小服茶碗","description":"\u003cp\u003e唐津、三藤るいの小服茶碗。\u003c\/p\u003e\n\u003cp\u003e口縁を楕円に歪ませた、優しい釉薬の色味の堅手。\u003cbr\u003e腰は引き締まった曲線で、鋭く上に上がっていき、口縁部で端反りする。胴の中程にヘラ削りが見られ、胴紐のように器形を引き締めている。\u003cbr\u003e高台脇の削りは控えめにとられ、高台自体はまっすぐなもので、畳付きの際で面取りされている。高台内部は畳付きからつながる螺旋階段のような削りとなり、縮緬がある。見込みはろくろ目がある。\u003cbr\u003e畳付きと高台内の一部が露胎するが、高台内部も釉薬が掛かっている。口縁付近の内外に釉垂れがあり、灰をかぶった向かって右側では窯変の景色が登窯の雰囲気を伝えている。\u003cbr\u003e釉薬は透明に近いがやや白濁したもので、光沢は鈍く、釉垂れなどではブルーグレーのような発色を呈している。釉薬はよく溶けて、大きめの貫入が全体にあり、見込みは一部に灰を被った景色もある。茶溜まりの中心付近にごくわずかな凸を持つ。\u003cbr\u003e土はよく均一にされたもので、なめらかであり、緻密である。堅手らしく、硬く焼き締まり、石のような雰囲気を持つ。\u003c\/p\u003e\n\u003cp\u003eW 109 mm \u003cbr\u003eD 98 mm \u003cbr\u003eH 59 mm\u003cbr\u003e付属品｜共箱\u003c\/p\u003e","brand":"離岸 Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":42699265507376,"sku":"MRK10.2","price":38500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN03213.jpg?v=1778505272"},{"product_id":"tori-yoshino-yt29","title":"Tori Yoshino｜Hagi Daidou split foot tea bowl","description":"\u003cp\u003eA tea bowl by Tori Yoshino, who works from his kiln in Hagi.\u003c\/p\u003e\n\u003cp\u003eBroadly speaking, the form may be seen as a tsutsu chawan, or cylindrical tea bowl. The foot is particularly distinctive: viewed from below, the base has been trimmed with a spatula in four directions, with four pentagonal feet carved out from the clay. The contact surfaces of the feet show marks from string-cutting. From the waist, the form rises in a clean, gentle curve, ending in a slightly everted rim.\u003c\/p\u003e\n\u003cp\u003eAround the middle of the body, an incised band runs horizontally, perhaps recalling the raised bands found on metal vessels.\u003c\/p\u003e\n\u003cp\u003eFine crazing can be seen across the surface, and in some areas the glaze has lifted during firing. 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It appears that he has been researching the patterns of crazing (kannyu) for many years.\u003c\/p\u003e\n\u003cp\u003eFrom the low foot with a thin tatami-tsuki (the bottom rim of the foot), slightly leisurely wheel-thrown marks (rokuro-me) open upward while forming subtle irregularities; the rim (koen) flares slightly but stops immediately and is chamfered. In terms of the shape from the waist, a Goryeo-like atmosphere can also be felt.\u003c\/p\u003e\n\u003cp\u003eIn the mikomi (inside bottom), there is a relaxed, recessed cha-damari (tea pool).The wheel-throwing is done in such a way that it gradually becomes thinner from the foot toward the rim, so the bottom and around the waist have a reasonable thickness.\u003c\/p\u003e\n\u003cp\u003eThe transparent glaze has very delicate crazing (kannyu) all over the inside and outside, and especially in the mikomi, the crazing creates its own unique highlight (midokoro) as a landscape (keshiki).\u003c\/p\u003e\n\u003cp\u003eSince it is glazed, its ease of handling as a tool is honestly an advantage. Although it is white porcelain, it is not a uniform, flawless white; it is not simple, with many variations at a fine pitch, such as having a bluish tint, ivory color, pinholes, areas where the clay texture is partially visible, and parts that seem to have been affected by ash.\u003c\/p\u003e\n\u003cp\u003eThe front-facing nature of the tea bowl is low, and for this publication, the first image was regarded as the front, but it would be more appropriate for the nature of this tea bowl not to obsess too much about the \"front.\"\u003c\/p\u003e\n\u003cp\u003eØ 160 mm\u003cbr\u003eH 60 mm\u003cbr\u003eAttachment | original wooden box\u003c\/p\u003e","brand":"Rigan Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":43076133847088,"sku":"TQA27","price":110000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN05452_453067ab-6e5e-4a3a-ab07-c1ecc4419d34.jpg?v=1786522838"},{"product_id":"yoshihisa-ishii-yib10","title":"石井義久　煤唐津茶碗","description":"\u003cp\u003e唐津の陶芸家・石井義久の茶碗。\u003c\/p\u003e\n\u003cp\u003e堅牢な焼き締まりで、安心感がある。\u003cbr\u003eがっしりと太い畳付の高台からやや上方に張り出し、さっと口縁まで上がっていく。\u003c\/p\u003e\n\u003cp\u003e窯での焼成に伴う降灰、その煤けがあり、全体に釉薬はよく溶けつつもマットな光沢である。\u003c\/p\u003e\n\u003cp\u003eØ 127 mm\u003cbr\u003eh 90 mm\u003cbr\u003e付属品｜共箱\u003c\/p\u003e","brand":"Rigan Gallery \u0026 Chanoyu","offers":[{"title":"Default Title","offer_id":43481817022512,"sku":"YIB10","price":55000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0570\/6969\/9120\/files\/RGN05455.jpg?v=1786520994"}],"url":"https:\/\/onlineshop.rigan.jp\/en\/collections\/chawan.oembed","provider":"Rigan Gallery \u0026 Chanoyu","version":"1.0","type":"link"}